Mushtaq Kak’s assignment as a date administrator is apparent by attention in architecture and his plays disentangle in a astute style, alienated abounding elements to apply on the faculty of the scene. In this process, he creates a assembly which is discreet and neat. Recipient of the Sangeet Natak Akademi Award for 2015 for his addition to Indian theatre as a director, the comedy “Ishq Malangi”, featured at the Festival Of The Arts at Abhimanch amphitheater recently, bears the brand of his audible bulk as a director.
Born in Jammu in 1961, Mushtaq is a able-bodied accepted name not alone in his accompaniment but additionally in Delhi’s theatre apple whose works were accepted by the acute audience. Beginning as a backstage artist, he got accomplished at ablaze and date architecture and by cavity of assiduous efforts and amore for the theatre he eventually confused to date direction.
His all-inclusive acquaintance in the circuitous art conception of a artisan helped him to attack with the complication of direction. As the administrator of Shri Ram Centre for Performing Arts, he has directed for the Centre added than 30 plays. His assembly of Premanand Gajvi’s “Mahabrahman”, advised one of his best productions that he did for the centre, dissected the abysmal animosity in the ranks of brahmans on the base of rituals they performed. Mahabrahmans who conduct rituals for the conservancy of the asleep are advised at the basal of Brahmanical bureaucracy and are abhorred by added ranks of the caste.
Nand Kishore Pant, a accomplished date actor, who after confused to Bollywood, created a best affecting angel of Mahabrahman against the anathema of abjection and amusing disgrace. Addition memorable assembly he did for SRC was Krishan Chander’s “Ek Gadhe Ki Atmakatha” featuring Shrikant in the advance role. It was a memorable achievement by the acclimatized amateur of the Delhi stage.
Arguably, Mushtaq is the alone administrator in India who has dramatised above fabulous works of Saadat Hasan Manto, bringing to the ahead the assorted facets of the starkly astute fiction, adventurous with acid abusive edge, his afflicted times and life.
Dramatised by Shahid Anwar, “Gairzaruri Log” (Persona non grata) with a continued anecdotic addition by Habib Tanvir, was directed by Mushtaq bringing to the ahead the abstract atom of Manto’s humanistic vision, his amore and affinity for the alone bodies by so alleged civilised association and their inherent humanism. The assembly of the comedy was featured at assorted civic theatre festivals and so far it has added than 30 shows in altered genitalia of the country. This biographer saw it in Udaipur. Mushtaq’s allure for Manto is not alone that he is a greatest fiction biographer in Urdu but additionally that he was built-in in Kashmir.
The assembly beneath analysis is the dramatisation of abbreviate adventure by Khalid Husain. Pritam Katoch’s date adaptation unfolds in a aboveboard manner, establishing absolute affinity with the audience. It is a comedy about abasement of lovers for the adventure of fulfilment of accurate adulation that transcends concrete adulation amid man and woman. Is such adulation accessible to attain in the apple afflicted with acerbity and barnyard materialism? The assembly seeks to acknowledgment this best arresting question. Mushtaq conveys this blue-blooded activity application the accessory of Sufi music that touches the centermost alcove of the soul. In a way music is the body of this production. Though the comedy deals with two altered abbreviate stories, both accord with the affair of accurate adulation which enables the anecdotal to afford ablaze on assorted shades of adulation in altered spaces and times.
It is set in the aboriginal ‘40s in Jammu burghal in a exchange which is accepted for courtesans affianced in absorbing their audience with dances and arrangement of songs. After accepting a acceptable time, audience balloon all about the courtesans. But with Kale Khan, a horse barrow owner, it’s a altered matter. He loves beautiful, adolescent and active coquette Feroza but his adulation doesn’t get any response. Despite acutely ashamed and abhorred by Feroza, Kala Khan’s adulation for her becomes all the added intense; he stops his accepted work, forgets aggregate that he already advised his duty. He becomes a recluse. Meanwhile, the country is partitioned. Feroza went to Pakistan. Her lover follows her but affair his admired has become a delusion for him and yet he keeps on analytic for her, decrepit and starved.
In addition story, coquette Shaadan Billi avalanche in adulation with all-powerful music of Yousuf. Living in a apple of ecstasy, she forgets all about absorbing her clients. Her life’s sole cold is to go added into the airy apple created by Yousuf and his music. An affronted applicant kills Yousuf. Alienating herself from the banal world, she devotes her absolute activity to the music of Yousuf and his memory. In moments of airy elevation, she conjures up afore her the all-powerful face of Yousuf.
Mushtaq has acclimated basal backdrop with levels backstage and the narrator occupies his amplitude downstage larboard abreast a timberline after leaves, symbolising the futility of adventure for attaining the accurate adulation broadcast with all-powerful aura. The administrator and his casting arm-twist a affectionate of ambiance that imparts the assembly a cogitating mood. Vinay Daggar as Kale Khan, Noureena Butt, Suman Pandita as Shadaan, Raj Kumar Behrupia as Yousuf and Madan Rangeela as Thanedar actualize images brave with irony and melancholy.
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